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[Photos By: Donald Bowers for Getty Images]
More photos at
Getty Images: Broadway Joins Jennifer Ehle And Eve Best For A Screening Of "The King's Speech"
and
Broadwayworld: Photo Coverage: Screening of The King's Speech in NYC
"We need brilliant young minds to plan film nights, workshops and fun events!
Applicants should:
Be between the ages of 15 – 18
Be interested in film and the arts
Love planning events
Enjoy making decisions and voicing their opinions”
"I’m thrilled to bits and so delighted for Jan, Cathy, John Lee and the entire ‘Royal Family.’ At the same time, I’m deeply saddened by the death of Lynn Redgrave. We’ve been friends since working together in the Royal National Theatre’s inaugural production of HAMLET in 1963. My heart goes out to her family."
Rosemary Harris, nominee for Best Performance by a Featured Actress in a Play for The Royal Family
- Completely Digitally Remastered for the Ultimate in Picture and Sound Quality
- Anamorphic Widescreen Presentation
- Featurettes "Lasting Impressions", "An Impromptu Walkabout with Adrian Lukis and Lucy Briers", "Turning Point"
- Uncovering the Technical Restoration Process
- The Making-of
- English subtitles
Heard v early screening of 'Kings Speech' was "incredible".(I assume as in 'gr8' not 'hard 2 believe';) I do know Tom Hooper's amazing...
Math professor Allen's recent affair with a lovely colleague (Jennifer Ehle) provides a potential key to the marital problem between Allen and Grace that clearly predated their son's death. But, like much else here, it goes underexplored. (LA Times)
The film squanders valuable time on several undeveloped subplots. One involves Allen's recent affair with a colleague (Jennifer Ehle), who tries to offer solace. (NY Times)
John Lithgow and Jennifer Ehle's portrayal of these characters is hilarious and fun. Ehle plays Mrs Fitch as the instigator of their scheming, while Mr Fitch furthers their ploy. (...) Lithgow and Ehle perform well with the script they have and make it a fun performance to watch.
Director Scott Ellis, whose prior productions have won many theatrical organization nominations and awards (Tony, Drama Desk, Outer Critics Circle), has kept the piece moving lightly and swiftly. Therefore, what one views is light, attractive and sophisticated.
I was so sleepy as I settled in for this world premiere of Douglas Carter Beane's Mr & Mrs Fitch that I wondered how I'd make it through the next two hours. Not to worry. I perked up the moment John lithgow and Jennifer Ehle entered, laughing as they stumble into their colourful Mahattan loft in the wee hours of the morning after a night on the town. And I stayed engaged as their glitzy world unfold in this cocktail of a show (...).
It is a testament to the writing ability of Beane that tremendous humor is generated in references to Edith Wharton, Virginia Wolf and Evelyn Waugh, to name but a few authors in the Fitchs' lettered galaxy. It would probably take at least three or four viewings of the play for even the most sophisticated audience-goer to catch all of the humorous cultural allusions.
Although the comedy can be very erudite, the humor in Mr. and Mrs. Fitch is never dry or sterile. Those who are not as literary-minded as the Fitch's need not be intimidated as the infectious exuberance and virtual musicality of the actors' performances creates genuine dramatic excitement. It is also wonderful to listen to a script in which the author challenges the audience instead of pandering to it. The tenor and the delivery of the dialogue in the play remind a viewer of the rapid-fire dialogue in the 1930's screwball Hollywood comedies featuring Cary Grant and Rosalind Russell, or Spencer Tracy and Katherine Hepburn. Mr. Lithgow sings several excerpts from Cole Porter and George Gershwin to highlight the play's cultural connection to 1930's sophistication.
The comedy offers an interesting snapshot of how information is transmitted in the early 21th century. The irony is that the very explosion of methods of communication through the internet, blogs, twitter, etc. can make it more difficult to determine what the truth actually is. Facts may be circulated before being checked. Fame and celebrity can be manufactured virtually overnight to masses that enjoy being titillated, even if those same masses suspect in the back of their minds that they are being manipulated. The play humorously examines the superficiality of much of popular culture and the danger of having a relative approach to reality.
Like their cinematic counterparts referred to above, John Lithgow and Jennifer Ehle have tremendous synergy and charisma as a couple. Like any true duo, each derives inspiration and energy from their partner. It is a great challenge for two actors to carry a full length play and one can only admire the sparkle and zest that Lithgow and Ehle bring to their roles.
(...) Visiting Mr. and Mrs. Fitch in their dapper digs can make for a very rewarding evening.
The media-urbanite will savor every crazy morsel of Mr & Mrs Fitch (...) That's mostly because the characters, the minutiae they talk about, and, natch, where they live, are just so neurotically New York. Tony winners John Lithgow and Jennifer Ehle smashingly portray a married couple who write a gossip column (hello, Daily's News' rumor patrol Rush & Malloy!).
The banter-filled dialogue is so rapid-fire that it can get a tad exhausting. But overall, Mr & Mrs Fitch is the work of a fine writer.
One of the play's major strengths lies in its meta-awareness. "Yes, you know, theater", Lithgow intones during one of his many linguistic sword fight with Ehle. "That thing that movie people do when they want to announce they're available for television." It's that heightened, self-conscious cleverness that makes Mr & Mrs Fitch a riotous deep dive into the shallow waters of gossip.
Douglas Carter Beane tackles the growing blur of journalism and fiction in his new acerbically funny play. The title characters, played with amazing acuity by the effortlessly charming Jennifer Ehle and John Lithgow, are a gossip columnist couple who live a vampiric lifestyle (...)
Hilarity and madness ensue as they try to stop the monster they've created in this savvy comment on our celebrity-obsessed culture.
The script for Douglas Carter Beane's latest comedy (...) consists mostly of a warp-speed badinage. But the words are of so entertaining a caliber - and so gloriously delivered by stars Jennifer Ehle and John Lithgow - that audiences likely won't mind the play's lack of forward motion. (...)
Hints are dropped early and often that Mr Fitch is predominantly gay. (Bisexuality makes women appear "adventurous", whereas men simply seem "indecisive", quips Mrs F.) Still, the couple's own rapport is as fond and fizzy as a teenage romance (...) And yes, it's sexual. Dinosaurs though they be, the Fitches' blood runs hot. Love comes in all shapes, sizes, and configurations, suggests Beane. And most of all, certain accomodations ought to be made to ensure the survival of the wittiest.
Other less enthusiastic and/or less original reviews can be found at TheVillageVoice, the WallStreetJournal or NY1. A quite complete review of reviews (!) at StageGrade. Reviews from the audience include the positive one of freakgirl.com, and the very negative one of Broadway & me.
On the Thrones front
A lot has happened during the week following the HBO greenlight announcement of Game of Thrones, including reactions from Northern Ireland Enterprise Minister Arlene Foster and Culture and Arts Minister, Nelson McCausland:
This is extremely positive news for Northern Ireland (...) At this stage, it is estimated that £20M will be delivered into the local economy though the production of the nine-part series.
Filming is due to begin in Belfast in June, for a release in spring 2011.
You'll find extremely good recaps of the events of the week at Game of Thrones news and Winter is coming - the latter has even decided to reinforce his contributors team to stay "on top of the latest news" !
For French and francophile readers, more about Thrones at lagardedenuit.com, a French site dedicated to the Game of Thrones.
Winter is, indeed, coming.
HBO has greenlighted highly anticipated fantasy series "Games of Thrones"
Played with great panache by John Lithgow (which you might expect) and Jennifer Ehle (a fine dramatic actress unveiling a shining talent for comedy) [...] what makes the play such fun is the seamless collaboration among writer, actors and director Scott Ellis, who never let's the evening momentum flag.
The Fitches' great shared joy is their love of language. They never use one word when 10 will do; they don't speak plainly when it's so much more satisfying to be clever.
(Director Scott Ellis, Actors Jennifer Ehle and John Lithgow, playwright Douglas Carter Beane)
The other reviews...well, it's really a simple story - they all seem to have been built on the same pattern (it's quite impressive - and always disconcerting - to see such unanimity...) - a pattern which can be summarized as : Laughs are there but a plot is missing (The Washington examiner)
First part of the reviews: the set is great, the actors are good...
Romping about designer Allen Moyer's ultra-glam setting, complete with a spiral staircase and a grand piano, an aristocratic Lithgow and a bewitching Ehle do their considerable best to evoke Scott and Zelda, Noel and Gertie and the Lunts are rolled into one. (newjerseynewsroom.com)
John Lithgow, an actor who can play comedy with a heavy hand and make it seem
extraordinarily right, is the former [Mr Fitch]; a lower-tier newspaper gossiper feeling pangs of frustration for wasting his life on a trashy column instead of
writing that novel lingering in his imagination. Jennifer Ehle has an endearing quality as the Jersey girl who fell in love with Manhattan, and conveniently, with one who makes his living surveying its nightlife. (broadwayworld.com)
Lithgow and Ehle are working hard to be amusing. (curtainup.com)
...But, second part of the reviews, the play, stuffed with bons mots, epigrams, inside jokes, social and intellectual references and arch put-downs, falls to rise interest during two hours:
It doesn't take long before their repartee sounds more like a debate in which the content is only as good as the speed with which it is delivered. (curtainup.com)
What might have been mildly amusing as a one-act eventually gets strained to the breaking point, and a plot element involving the pair's making up a fictional character who suddenly takes on a life of his own is far too silly to make its intended satirical point (reuters.com)
Quantity has taken over quality in Beane's latest play...(...) The barrage of
self-satisfied quips is so relentless that the show quickly becomes numbing (...) It doesn't make sense, like anything else in this bewildering, sloppily plotted comedy. (nypost.com)
I certainly forgot other reviews of this type - sorry for their authors, but they're all quite the same! - the meanest one being Joe Dziemianowicz's at NY Daily News.
More original ones includes Cindy Adams review with 10 reasons why the Fitches' are not real journalists - I thought that was obvious, given it's theatre...- and, more funny, how it could be fixed.
An article well informed on all the references (87 !!) mentioned in the play. You can complete it if they are some missing.
If it were possible to assemble a substantial evening of theater out of clever one-liners, gifted actors and crackling chemistry, Douglas Carter Beane's Mr & Mrs Fitch would be a smashing success. Starring the equally adept John Lithgow and Jennifer Ehle, the story (which is the weak link here) concerns two married Manhattan gossip columnists ....
Naturally, complications arise, but unfortunately they don't pile up quickly enough to sustain the insubstantial plot of this full-length play. By the start of act two, the effervescence turns a little flat...
The talent is outstanding: Douglas Carter Beane, John Lithgow and Jennifer Ehle. The barbs are vicious, pernicious and delicious. The play, however, is a disappointment.
Ehle, who's somewhat less known outside the theater community, is a marvel. Having seen her in the Coast of Utopia trilogy (not to mention her rocketing to fame in the BBC's Pride and Prejudice), I know what she's capable of. Here, her mannered accent warbles a bit, but she smiles deliciously with every witticism launched. She hobbles around on unseemly heels, but does it with grace and elegance. I'd watch her read from the phone book, but she has about as much to do here. The play is very much centered around Mr Fitch, and Mrs Fitch is basically a compliment to him, another gorgeous object that helps him operate his world.
Overall, it's not a bad night in the theatre, but it's essentially disappointing because it could be a great one given the talent involved.
The set for Mr & Mrs Fitch holds the distinction of being the first set I've worked on where someone has asked to purchase almost every single item on the set after the production. Why ? Because its set in a totally baller apartment. [...]
What we ended up doing was having two artists: Ryan Ketchum and Pete Sarafin loan works to the show. [...] The paintings on the wall give a huge amount of depth and range to the set: they make it feel like a real place because they are real things.
Thank you very much Meredith for your explanations and pictures, it sounds like you're doing a great job!
The author of Mr & Mrs Fitch himself, Douglas Carter Beane, will be discussing his new comedy and talking about his fascination for New York City on Thirteen this Friday 19th of February at 1 am. Watch and tell us !
[EDIT : After an exchange with Meredith, I had to take down the photos - as they represent not only her work but the work of the designers and the theatre, she has only permission to post them on her blog - I should have known better ! I apologize sincerely to Meredith and you readers, and encourage you to go and see the pictures on her blog...]
1. Mister Fitch
FITCH gets better with every tweak, love those previews...
Working furiously on FITCH (wonderful) but neglecting tweets...
2. Mister Firth
As much in Oscar daze as Colin Firth seems to be right now, he still has some time to speak to the Belfast Telegraph about his role as King George VI, the Queen's father, in the King's speech, where he'll be playing alongside Jennifer Ehle for the first time in 15 years. The actor confesses his apprehension on knowing that some living Royal family would see the film, and that he tried to put his political view on monarchy out of his work:
I know they [the Royal family] don't comment on such things but I was very aware
that not only would his daughter (Queen Elizabeth II) see it, but the characters
played by Geoffrey Rush had living family as well.
I think he [George VI] was enormously admirable and I had overwhelming
affection for the characters, so I hope that affection and respect came across.
I think there's something quietly heroic about him. We'll leave my own
political view out of this.
Who would want to bet that Mr Firth will be getting a second Oscar nomination next year ?
Everything looks fantastic [...] The director got great performances [...] I would be surprised if it doesn't [get green lit]. It has everything going for it.
In a play that only features two characters, it's imperative that the
two actors cast are able to carry the entire performance. Luckily for Mr
& Mrs Fitch, John Lithgow and Jennifer Ehle are. [...] While the
set and the actors are stellar, Mr & Mrs Fitch falls a little
flat with the play itself...
1/3 of FITCH staged in a 5 hour rehearsal. Jennifer E. is fast, smart, and fabulous, Scott Ellis terrific. This is going to be some fun.
Analysis: The most obvious chance for Oscar glory next year for the Weinstein Company, this British/Australian co-production has a simply superb pedigree of talent involved combined with a story rarely heard about that should ensure something hopefully remarkable.
The teaming of Rush and Firth in any film is exciting enough, but with supporting talent in historical roles like Guy Pearce as the abdicating Edward VIII, Helena Bonham Carter as a young Elizabeth II, Timothy Spall as Winston Churchill, not to mention greats like Derek Jacobi and Michael Gambon - it's downright pants-wetting.
Colin Firth is so hot right now — and Oscar bound — in “A Single Man.” Add all that to Geoffrey Rush and very hot HBO director Tom Hooper (”John Adams”) and we may have a new “Shakespeare in Love” next fall. Woefully underused Jennifer Ehle, plus Helena Bonham Carter, Guy Pearce, Timothy Spall, and Michael Gambon round out this cast. If this isn’t an Oscar nominee, I don’t know what it is.