Saturday, December 31, 2005

Sapphic milkmaid

Bruno Bayon of Libération (September 11th, 2002) reviews Possession in possibly the most impenetrable French I've ever read. Babelize it for a laugh.

En revanche Possession, autre promesse de plombage carabiné, se révèle de bonne compagnie. Ce semblant de thriller hypertextuel à quatre mains sur les traces d'un poète victorien supposé (Henri Ash), dont l'action adultérine à deux vitesses se déroule dans divers «jardins anglais» très peu meurtriers, a pu être jugé «alambiqué». Voire. Tout est dans cette subtilité du dosage, sur un fil de tarabiscotage tendu entre Harlequin et mandarin. Fausse héroïne et blonde de l'affaire, Gwyneth Paltrow, qu'on avait laissée au tapis, éléphantiasique idiote de 245 kilos montrant sa foufoune noire dans le répugnant Amour extra-large, relève ici de cette pesée spécieuse. Sibylle givrante. Le dialogue de même, assorti au profilage psychologique vieille Angleterre, conjuguant beach boy de bibliothèque ricain (Aaron Eckhart) et Frénétique anglais plus déliquescent que nature (Jeremy Northam), fait dans le rébus. L'intrigue au demeurant ne lésine pas sur le double fond, en abyme de «sympathie» spirite, hermétismes à tiroirs révélant écrits enfouis et vies parallèles antérieures. L'étoile masquée de cette énigme aux airs nervaliens est son héroïne capiteuse Christabel LaMotte. Soit Jennifer Ehle, imprévisible Laitière saphique transfigurée bi préraphaélite d'une Leçon de piano «possédée» par la métrique.


A truly hopeless attempt at the last bit:
The hidden star of this Nerval-esque mystery is its heady heroine Christabel LaMotte. That is, Jennifer Ehle, the unpredictable Sapphic milkmaid turned Preraphaelite bisexual of The Piano, "possessed" by metrics. [??!?!]

I know, I know. "Metrics"?! "The Piano"!? Au secours, francophones!

Pride and Prejudice original script

Our friends at Colin Firth 24/7 have Part One of the (original) script of Pride and Prejudice written by Andrew Davies. It's a PDF file, 192kb. Unlike the other scripts posted here before, this version includes not only the dialogue but also directions and such.

This is as good a time as any to give shoutouts to other collaborators over the year: Driving Mr Spacey, A Genius At Work, AustenBlog and A Truth Universally Acknowledged - thanks for your help! Thanks also to the good folk at Pemberley and Clever Company for putting up with our pot-banging.

Friday, December 30, 2005

The thingo

Here's the collage of fans' birthday wishes.

What you see is not exactly the same as what we sent her. Her version allows for mega mega zoom so all the text can be read, whereas this public version is small and low-quality so the text can't be read. Wasn't sure whether it was entirely clear to people who submitted things that the final product would be made public, so this is to avoid treading on privacy toes. Hopefully you can get the general idea.

Thanks to everyone who took part!

BUT BUT BUT...this just in!

Thank you all so much! That is so sweet and creative of you. They are all wonderful and generous but there [are] a few particularly apt references...

Evelyn- have been reading much Pooh (the classic edition, of course, of course). There is little finer.

Mary- Kerala?! That's wild cause [I'm] on my slow boat there now. Or do you know that already?!

Tina- the Elvis - I've always fancied Eddie Izzard playing me in the hypothetical blah de blah but now you've got me wondering how things might have been...

I can not thank you all enough for thinking of me- a sweet, generous gift.

Thank you again,
Love,
Jennifer

What a way to end the year. Freaking cool, no?

Miss Bennet returns down under

Brisbane's Courier Mail reports:

Mr Darcy returns

Foxtel's Ovation Channel will replay the BBC's much-loved 1995 version of Pride and Prejudice from Tuesday, January 10, at 7pm.

This series is considered to be the best interpretation of the Jane Austen story and stars Colin Firth, below, as Mr Darcy -- the role that led to his part playing Mark Darcy in the Bridget Jones franchise -- and Jennifer Ehle as Elizabeth Bennett.

Fans of Absolutely Fabulous should also tune in to see Julia Sawalha play a very different character to the long-suffering Saffy Monsoon.

Article not online.

Birthday mentions

Ms Ehle's birthday is mentioned in several places today. Apparently she shares it with Jude Law, president Andrew Johnson and the YMCA, amongst others!

Thursday, December 29, 2005

Happy Birthday, Ms Ehle!

We wish you the happiest of days!



That's one of the graphics Chelsea created for the package we sent her earlier this month. Brilliant, eh? If you don't get it, read question 1 of the interview.

The thingo isn't sent yet because it's only the 28th in the US. All will be revealed later...

"Pride bride"


This is a scan of the 1997 Radio Times feature; the fansite has the text. Click on the picture to get the large 288kb version.

His hair, Louisa!

A different sort of review of Pride and Prejudice from last year's Age.

Dark-eyed Miss Bennet surely knows the laws of sexual attraction state that when you enter the territory of the sidey, there's no will in the world that can withstand the smouldering temptation of taciturn facial decor that admits to the fault of temper. Cheekbone warmers creeping seductively down from the earlobes have been a symbol of majesty, mystery and power - and an invitation to skip dessert, dash the dishes and fling back the doona - since time immemorial. And that Mr Darcy's burnage? Well, Lord save us, we're talking James Brown crossed with a young Elvis, a hint of Thomas Jefferson and a smidgin of King George IV.

Wednesday, December 28, 2005

English Sunshine official site

Yay, the Paramount site is (back?) up. It has the usual photos, trailer, cast bios, etc. In the "Sonnenschein Family Album" section, you'll find the proper English versions of the quotes I attempted to translate earlier from the French official site.

Jennifer Ehle says: “I simply adored Valerie as a person. She is very different from many female characters that we see onscreen. She is strong, and while she never tries to please people, it is important to her that those around her are happy. She wants everything to be stable and balanced which is a difficult job in this family. Valerie tries to keep the peace, but without ever compromising herself or what she believes.”
...
Rosemary Harris says: “Valerie is truly an extraordinary woman for her time. She doesn’t go with the flow, she has her own thoughts and feelings about things and she sees through other people’s subterfuge. Since I took the part I’ve learned a lot about Hungarian history and how people’s fortunes were swayed by the winds of change in the politics. But Valerie remains steadfast throughout. She doesn’t get easily swayed, she has her own compass set and she stays on her own course all her life. Playing the role with my daughter Jennifer means knowing what we each feel about the character without having to spell it out.”

Pride and Prejudice anniversary DVD back cover

Aisle Say and NY Post review Other Side

Not very positive, I'm afraid. Aisle Say says:

Under the direction of Blanka Ziska, the play is performed with an urgency matching its silliness, Mr. Farber seeming more stiff than strict, and veterans Cullum and Harris spinning pleasantly respectable variations on their personae, familiar from so much previous exposure on stage and in the media. It all seems like a strange literary exercise, removed without fanfare from a time capsule, only to be sent back once the limited run concludes...

The NY Post review is along the same lines. Registration required; bypass with BugMeNot.

While the metaphor is reasonably evocative, its thinness becomes apparent very quickly, and Dorfman fails to provide the wit necessary to sustain the concept.

It's unfortunate, both because of the play's relevance and the typically strong performances by the veteran stars. While it might have been highly effective as a brief one-act, in full-length form "The Other Side" feels both precious and attenuated.

Tuesday, December 27, 2005

Bioluminescence

...Rosemary Harris, radiant as ever, glows from within as the matriarch Levana. Her refusal to give up on the promise of her son's return home fuels just about every moment of this play with a fierce power that very precisely illuminates Dorfman's central ideas.

It all makes for a theatre experience that's as compelling and searing as it is harsh. Art is supposed, sometimes, to tear at our hearts and souls. The Other Side is a visceral, sad reminder that the atrocities of war that we take for granted when we see them on TV newscasts can still authentically touch us.

Review by Martin Denton of nytheatre.com. Note how the same adjective is also used to describe her daughter.

Sex and money

That'll get some Google hits. This is an article from the NYT in 1996 about Pride and Prejudice, titled "An Austen Tale of Sex and Money In Which Girls Kick Up Their Heels".

For Elizabeth, who is 20 in the novel, the producers searched far and wide, interviewing hundreds of actresses between 15 and 30. The part went to Jennifer Ehle, who is in her mid-20's and had appeared in a television mini-series and two stage products by Peter Hall since leaving drama school in 1991. "I also had five syllables as Cynthia Lennon in a film called 'Backbeat,'" said Ms. Ehle, who jumped at the part of Elizabeth.

"Elizabeth has many of the characteristics that women in the 1990's think that we have reclaimed, or even invented," she said. "It's exciting to see those in a woman written by a woman in the early 1800's." [more]

The quote above is very similar to that in the Orange County Register article. My pick of the other interesting bits:

In one scene, after stripping down to a shirt and tight riding pants, he plunges into the pond on his estate, observed, as it happens, by Elizabeth Bennet, who is well on the way to dropping her prejudice after getting a good eyeful. It is pretty clear that she doesn't mind the look of Darcy's estate either. Sex and money indeed.
...
Just as important, the British public had to believe Mr. Firth as Darcy, one of the most memorably drawn characters in the language. An early vote came while shooting was in progress, when Angela Horne, whose house in Wiltshire stood in for the Bennet abode, took Mr. Firth's measure.

As Ms. Fine tells it, Mrs. Horne, who is well into her 80's, approched her one day and said, "I was most intrigued when they wanted to use the house for 'Pride and Prejudice,' but I was terribly worried about Darcy. Well, I met him this morning, and he will do. He gave my heart quite a flutter."
...
Ms. Birtwistle has been getting fan letters ever since. One was from a woman who recounted, with some embarrassment, a visit to the hospital emergency room after seing the last episode. Her symptoms -- shortness of breath, sweating and racing pulse -- suggested an impending heart attack.

"The doctor examined her, asked what she had been doing, thought a bit and came up with a diagnosis," said Ms. Birtwistle. "He told her, 'You are in love with Darcy.'"

Need belated Christmas pressies?

Never fear, eBay is here.
  • El cheapo River King DVD - only USD$6.
  • The Relapse program
  • Philadelphia Story poster with a picture of Kevin Spacey and Jennifer Ehle from the final weeks
  • Not particularly new, but I hadn't seen the VHS of Pride and Prejudice with this cover before. Nice change from the other versions which have the wrong character enlarged.
  • Monday, December 26, 2005

    HRM JE

    A bit of randomness from the "it's a public holiday, why are we on the computer?!" pile. This is from the Adelaide Advertiser on July 21st 2000, by Patrick McDonald and Simon Yeaman.

    * Royal in focus BRITISH TV company ITV is planning a $5 million drama about the Queen Mother, focusing on her life as a young woman, wife and mother. Sources say the project, expected to go into production next year, will start with the abdication of Edward VIII and the then-Duchess of York's feelings about her brother-in-law and Wallace Simpson.

    It will include a tender account of her relationship with and marriage to the shy Duke of York, later George VI, and show her wartime efforts and devastation at becoming a widow at age 51 in 1952. The film is expected to end with the Coronation of her elder daughter, Elizabeth II.

    Pride and Prejudice star Jennifer Ehle is said to be among those considered for the lead role.

    According to a senior royal aide, the Queen Mother a keen TV viewer would "take no interest in it".

    In other royal news, it has been confirmed the Queen Mother will receive a telegram from her daughter on her 100th birthday.

    Sunday, December 25, 2005

    Merry Chrismukkah!

    Fröhliche Weihnachten, Boas Festas, Feliz Navidad, Joyeux Noël, Buon Natale, Vrolijk Kerstfeest, Shinnen omedeto, Seng Dan Fai Lok, Chestita Koleda, God Jul, Hyvää Joulua, Wesolych Swiat, Kellemes karácsonyi ünnepeket, Gledileg Jól, Geseende Kerfees, I'D Miilad Said...and so forth!

    We wish the Ehle/Harris/Ryan family and all our fellow fans a holiday full of joy, peace and pudding.



    From Paradise Road, the only Christmas scene in Ms Ehle's films I could think of. Click to enlarge, and look closely.

    Saturday, December 24, 2005

    The Right Honorable Ms Ehle

    A cute story from a Yahoo fan club (like EhleNews, but smaller). This dates back from The Real Thing.

    Tonight I met Jennifer Ehle.

    I waited by the stage door and out she came...I couldn't move. Finally I ran over to her and got her to sign my program and asked if I could shake her hand. She laughed and said, "Of course you can! My...I'm beginning to feel like I'm running for office!" Mine was not the only hand she'd been asked to shake that night. :) Oh my God, I could die right now. :)

    She'd have my vote! Citizenship be damned.

    Villager: "Ariel Dorfman's Bedroom War"

    In this interview, the playwright of The Other Side talks about how the play relates to his own experiences.

    “My own existence,” said Ariel Dorfman, “has been affected, let’s say, by exile and repatriation of a sort. My work has always turned around borders, and identity.”

    Friday, December 23, 2005

    Tickity tock

    Last chance!

    5 stars

    Amy Wallace, an Amazon reviewer and fan of the book, gives The River King full marks:
    I personally attended a small, private and rather elite college on the East Coast. Throughout the novel I was getting feelings of Deja vu; convinced I was back at Benningon. Not only is the story totally engrossing and haunting, the film starts to become reality and capture the emotions of the audience, without the usual hollywood tricks.

    This film blew away my expectations. I was a huge fan of the novel; I read it over and over again. I anticipated the movie being a dissapointment, but found myself captured and surprized, even though I knew what was going to happen next.

    Myriad's River King trailer

    We posted the Brazilian trailer for The River King earlier. Now the Myriad Pictures official site has it as an embedded WMV file. Here's the unembedded version for dialup users (1.3mb, .wmv) and broadband users (3.9mb, .wmv).

    Oh look, the NYT has it too, with RealPlayer options.

    Guardian reviews Painter of Dishonour

    Boswell's production is both intellectually rigorous and voluptuously theatrical. The sombre Velazquez interiors of Rob Howell's panelled design are offset by a white-robed Barcelona carnival and the ubiquitous flame-red figure of Death. John Carlisle also brings a craggy grandeur to the role of the dishonoured painter, and there is bracing support from Jennifer Ehle as his divided bride, Clifford Rose as a silvery ambassador and Tony Rohr as the hero's tale-spinning servant. A marvellous revival that makes me hope we shall continue to dig for Spanish gold. [more]


    Part of our Holiday Blogging (aka Really Really Old Reviews as Substitute for News, aka Crap) Series. Lo siento!

    Thursday, December 22, 2005

    "Radiant" and "winning"

    PlanetOut:

    As Sally, Jennifer Ehle looks like a young Meryl Streep and is winning enough to make men and women swoon. It isn't at all a stretch that Leo and Sally share a special bond; nor is it making a statement on Leo's gayness. Rather, Troche gently and without an agenda portrays ordinary human emotion and unexplainable attraction.


    Reel.com

    Sally (the radiant Jennifer Ehle, from A&E's Pride and Prejudice), who is a school chum of Leo's. When some "more than friends" feelings start to arise between Leo and Sally, it becomes clear that the film is trying to be more than your average queer romantic comedy. By fully exploring the dual nature of Leo's and Brendan's sexual orientations, Bedrooms and Hallways bursts open rigid comedic doors and lets in the fresh air of complexity.

    These are Bedrooms and Hallways reviews, by the way.

    Second to none

    Except Princess Leia.

    (It's the silly season.)

    Wednesday, December 21, 2005

    Financial Times on The Other Side

    Brendan Lemon, 19 December 2005, Financial Times (USA). Not online.

    While the play is more watchable than some reviews have suggested, it displays its Modern Master influences - Pinter, Beckett - a little too obviously and develops its storyline in fits and starts.
    ...
    Dorfman's language can be eloquent: Levana recites a verbal aria about suffering ("We'll feed off the dead. We'll sell the dead. One by one.") that is a high point of Harris's polished performance.
    ...
    Like [Death and the] Maiden, The Other Side provides some marvellous moments for actors, even as its political concerns have been explored more engagingly by others.

    BYO

    Self Catering is the Obscure Research Project of the moment (at least it's more productive than sudoku). The present haul:

  • Ryan K Johnson's review

    Alan Bleasdale produced this Channel 4 allegorical movie about five survivors on a desert island after a plane crash. The two men and three women adopt new names based on movie stars and then begin to act the parts. John Gordon-Sinclair (who calls himself "Henry" -- thinking he's Henry Fonda) sums it up best when he says, "I think we're all in the company of people who in other circumstances we'd arrange our lives to avoid." That doesn't mean that every possible sexual combination isn't first attempted by the group, which culminates in a bizarre, serio-comic non-ending that the British seem to adore in these sorts of films. Looked at it one way, this is the deconstructionist version of Gilligan's Island.

  • EhleNews has a couple of reviews from fans. You need to be a member to read them - do join, the archives hold many treasures.
  • And another review from IMDB...

    This is an average film that just happens to contain a large number of memorable quotes, and for that reason alone I would have to say that I enjoyed this movie. The storyline is rather uninspired, as this film tells the story of five completely different people who live in isolation after being the lone survivors of a plane crash. Needless to say, these polar opposites continually butt heads, and civil conversations almost always disintegrate into heated arguments. Yet having said all that, I still managed to like this film. The performances are all good, it moves along at a good pace, and the writing is clever enough that I still remember lines from this film, even though I haven't seen it in four years. I'm not quite sure of how available this film is, but if you ever come across it, give it a chance.
  • One for the CV

    In an article about stars who once were theatre ushers (The Independent, 8 January 1999, Daniel Rosethal):
    Jennifer "Pride and Prejudice" Ehle may have pointed you to the bar at the Lyric on Shaftesbury Avenue.

    Tuesday, December 20, 2005

    Join the mailing list

    I've added a new form doodad on the sidebar which lets you sign up to the blog's mailing list. You'll receive reminders about blog events and important dates. We'll only write if there's something really important. No spam, promise.

    Also, pssst...only 2 days left!

    The Other Side video

    David Cote's review of The Other Side is scathing, but at least you can see some clips from the play. Click on the "dialup" or "broadband" buttons under the title.

    August King goes Hollywood

    We've been neglecting John Ehle for a while. Here's an article about him from the Greensboro News & Record in 1996 about the movie adaptation of his novel The Journey of August King. As usual the bit about his daughter is extracted below, but the full article is worth a look.

    Since 1967 Ehle has been married to Rosemary Harris, an English actress acclaimed on both sides of the Atlantic. They have a 26-year-old daughter, Jennifer, who is now in England establishing a reputation as a gifted stage and screen actress.

    Over the years the movie rights to "August King" had been optioned by several studios and producers, but nothing came of it. Then, at a White House reception in 1992, Ehle and Harris bumped into Sam Waterston, an old acquaintance of Harris's and a major Hollywood player who was nominated for a Best Actor Oscar for his role in "The Killing Fields" in 1984.

    "When Rosemary played Peter Pan out of doors in a summer stock theater in Connecticut," Ehle says with a chuckle, "Sam Waterston pulled the rope (that enabled her to fly). So far as I know, that was his first theater experience."

    Harris asked Waterston to read her husband's script. He agreed, and liked it. Meanwhile, at a party in London, Jennifer Ehle asked Miramax co-founder Harvey Weinstein to read the script. Once again the response was enthusiastic. Duigan was signed up to direct, with Waterston as a co-producer and a leading actor.

    And suddenly, after languishing for a quarter of a century, an old novel had a new life and was on its way to the silver screen. [more]

    Monday, December 19, 2005

    Martyn James Brooks photo

    This is one of my all-time favourite photos. It's up on the fansite, but MJ Brooks has a slightly higher-resolution version on his site, with different cropping as well. There's also a shot of the whole Bedrooms and Hallways cast and portraits of the other actors.

    Mini Backbeat reviews

    Two of the few reviews that actually mention Ms Ehle's performance in Backbeat.

  • "Backbeat scores with tale of relationships", Mal Vincent, Virginian-Pilot & Ledger-Star, May 7th 1994.
    Gary Bakewell looks like Paul McCartney and plays him as if he were a whining and ambitious pest. Jennifer Ehle is suitably commonplace as Cynthia, who became Lennon's first wife.


  • "Forgotten Beatle's tale told", Sharon Johnson, Harrisburg Patriot, May 9th 1994.
    Gary Bakewell and Chris O'Neill capture the look and sound of McCartney and Harrison while Jennifer Ehle (the daughter of actress Rosemary Harris) is suitably poignant as Cynthia Powell who will achieve her dream of being Mrs. John Lennon, though not for long.
  • Archives index

    I've finally gotten around to indexing the blog's archives. Posts are sorted into categories, for easier access. You can browse through the full index, or click on some of the groupings below. The index will be updated every month or as soon as sanity permits. Please let us know if you find any mistakes.

  • Interviews and articles
  • Encounters
  • Photos and stills
  • Multimedia: online
  • Multimedia: offline
  • Work news & reviews

  • Awards
  • Miscellaneous
  • Rosemary Harris
  • John Ehle
  • Admin comments/appeals
  • eBay

  • PS. The "A-muse-ing" post below has been deleted - just realised it's a possible breach of our privacy policy. It wasn't very interesting anyway.

    Sunday, December 18, 2005

    Even more

  • New reader reviews at the NYT site. This one's by "sonic79".
    Call Me Crazy...but I thought this was a very strong play with great acting. Rosemary Harris gave what was, to me, her best performance in years as a hardened (and surprisingly sexy) woman in the middle of a battlefield. The play is otherworldly and strangely familiar, symbolic without losing its realism. I loved the moment when the house flew apart and the soldier marches in to establish a border straight through the bed, a symbol that asks big questions about how cultures can live together. I felt like the play was well-paced, interesting, funny, and visually (and aurally) superb. I would recommend this play to any fan of Beckett or Carol Churchill, or any lover of strong, challenging theatre.

  • William Wolf, Wolf Entertainment Guide.
    Despite the presence of the accomplished Rosemary Harris and John Cullum, Ariel Dorfman’s play about war is a misfire...The newcomer joins in the pompous talk, and although all three actors pour their hearts into the dialogue and drama, the situation is too contrived to sustain.

  • Harvey Kissel, NY Daily News.
    The elderly man and woman who live there, born in the opposing countries, must now ask permission to cross the border in their own home.

    This, too, might have been amusing for 10 minutes, but it is too preposterous and too pretentious to engage us much longer, despite fine performances by Rosemary Harris and John Cullum as the couple and Gene Farber as the guard.
  • Warm fuzzies

    In an article from The Guardian (April 23rd 2004), drama students talk about their inspirations and aspirations.

    Rosalind Porter

    I've always wanted to be an actor but I didn't have the guts to go for it until I was at university and I went to see The Real Thing with Jennifer Ehle and Stephen Dillane. I was blown away, and I wanted to be able to move people the way I'd been moved.

    Saturday, December 17, 2005

    RIP Under the Wigs

    Under the Wigs, the Jennifer Ehle fanlisting, is now closed. A sad day. However, this means that someone can open up a new one. I'd do it, but don't have the required HTML and graphics skills - this blog is run on a standard template and a prayer. If you have the chops, apply at The Fanlistings.

    More Other Side press reviews

  • Charles Isherwood, NYT.
    Ms. Harris brings a surge of anguished conviction to a poetic litany in which Levana mourns the blank future: "We'll feed off the dead. We'll sell the dead. One by one. The only thing this place produces. We'll trade the dead, we'll buy milk with the dead, we'll warm ourselves with the coal of the dead." But there is more dutiful professionalism than passion in her performance, and in Mr. Cullum's spry turn as the pessimistic Atom.

  • Michael Sommer, Star Ledger.
    Regardless of their material, Harris and Cullum are eminently watchable. So harmonious are their physical rhythms together that they truly appear to be a longtime couple. Gene Farber is a gruff yet oddly appealing figure as the officious fellow who may or may not be their beloved son.

  • Brian Scott Lipton, TheatreMania.
    Harris, one of the theater's greatest living treasures, makes an equally vivid contribution whenever the script allows her to. A still-youthful 78, she brings her trademark dignity, conviction, and expressiveness to the role of headstrong Levana Julak, and she does everything possible -- if not more -- with a couple of nearly heartbreaking speeches in the play's more serious second half. But watching Harris try to breathe life into this disappointing work only makes us long to see her in the kind of triumphant role that her contemporaries Lois Smith and Frances Sternhagen are now playing in The Trip to Bountiful and Seascape, respectively.

  • Eric Grode, NY Sun.
    Ms. Harris fares best despite being given much of Mr. Dorfman's most selfconsciously florid material. ("We'll build your toilet with the samples we take from the dead, we'll make love in the night blessing the dead.")

  • AmericanTheater Web.
    There's no doubt about it. The pairing of Rosemary Harris and John Cullum onstage is delectable. Her feisty charm matches his sweet curmudgeonly presence beautifully. The opportunity to watch their wonderfully complementary presences and their sense of craftsmanship when it comes to character truly is an early holiday gift. Unfortunately, Ariel Dorfman's The Other Side, the play in which theatergoers can find Harris and Cullum currently and which opened last night in a Manhattan Theatre Club production at City Center Stage I, is not an equal cause for celebration.
    ...
    Theatergoers will savor Harris and Cullum's performances as they enter into these minor skirmishes and pondering their implications in the larger, and less successful, context, of Dorfman's play. Audiences, looking for fresh and insightful, anti-war theater, however, would be well advised to look elsewhere.

  • Ron Lasko, Broadway.com
    The cast, lead by Rosemary Harris and John Cullum, is top-notch. The seasoned stage veterans do surprisingly well with the bipolar script. Director Blanka Zizka is lucky to have them. As the guard, Gene Farber makes the most out of a fairly one-note role.

    If you are a fan of Harris or Cullum, The Other Side may prove to be a worthwhile and provocative outing. If you really want a war comedy, stick with M*A*S*H.

  • Linda Winer, Newsday.
    She has the bemused, tufted smile of a cat. He has the ornery bluff of a buzzard. Rosemary Harris and John Cullum are riveting together as Levana and Atom, a long-married couple who bury the dead for money during decades of war between his town and her former village.

    Whatever the heavy-handed frailties of Ariel Dorfman's "The Other Side," the 75-minute wartime parable that opened last night at Manhattan Theatre Club, the connection between these theater royals is electric. Every time we think the absurdist drama might've been more provocative as a short story, an unexpected rough gesture from the elegant Harris or a lemon-tinged outburst from the low-key Cullum pulls us into the material with urgency.
  • Self Catering and Pleasure

    There is little to be found on Self Catering and Pleasure, but Media Week from August 12th 1994 has this little blurb on the two "Alan Bleasdale presents" features.

    Alan Bleasdale Presents.

    A new platform for young script writers, produced by Alan Bleasdale. Self-Catering, which stars Jane Horrocks, tells the story of five survivors of an aircrash on a desert island who suddenly realise their personalities possess a life of their own. Pleasure portrays a modern Madame Bovary who, given an agonising choice, opts for freedom.

    Ms Harris "a joy to watch"

    AP drama critic Michael Kuchwara reviews The Other Side, finding it "heavy-handed" but...

    No matter what she is in, Harris, an expressive, sympathetic performer, is a joy to watch. She brings a dignity and pathos to the character, qualities that are meagerly represented in Dorfman's play, which presents ideas rather than real people. And Cullum offers strong support in the thankless role of her cranky yet loyal husband.

    Friday, December 16, 2005

    She's ours!

    Winston-Salem native gets British film academy honor
    24 April 1996
    Greensboro News & Record
    (Copyright 1996)
    North Carolina native Jennifer Ehle won a British Academy of Film and Television Arts award for her performance in the TV miniseries "Pride and Prejudice."

    The Winston-Salem native, who now makes her home in Great Britain, won the BAFTA award, the British equivalent of the Oscar, for best television actress for her portrayal of Elizabeth Bennet, the heroine of "Pride and Prejudice."

    Ehle, 26, is the daughter of Winston-Salem author John Ehle and English actress Rosemary Harris. "It's a great honor, and I am so pleased and so proud," said John Ehle, who was with his daughter when she won the award Sunday night. "It was a wonderful surprise. Her mother, of course, was very moved when she won, too." Harris could not be there for the ceremony, which fell on opening night of her latest show in New York, "A Delicate Balance."

    Ehle was born in Winston-Salem, where she also attended elementary and high school. She received part of her acting education at the North Carolina School of the Arts. Her father said she left Monday for Malaysia and Australia to act in a new feature film, "Paradise Road."

    vs

    Emma Thompson wins Britain's best actress award
    22 April 1996
    Reuters News
    (c) 1996 Reuters Limited

    U.S. imports won many of the television awards, with hospital drama "ER" taking the prize for best foreign television programme.

    The "people's vote" for best TV programme went "The X-Files".

    But Briton Jennifer Ehle, who played Miss Elizabeth Bennet in another Jane Austen adaptation -- television's "Pride and Prejudice" -- won best television actress.

    Stars in the alley

    Playbill covers the "Stars in the Alley" event in May 2000.
    The 2000 Stars in the Alley, peppered generously with plugs for the upcoming Tony Awards, had more than a few of the 2000 nominees. Eartha Kitt, Philip Seymour Hoffman, Karen Ziemba, Laura Benanti, Cherry Jones and Jennifer Ehle were among the performers and presenters at the Stars event, held at 11:30 AM in Shubert Alley.
    ...
    Jennifer Ehle, the star of Tom Stoppard's The Real Thing, connected revivals like her play and long-established pieces by Anton Chekhov and Noel Coward with the new "classics": Les Miserables, Miss Saigon and The Phantom of the Opera.

    Wednesday, December 14, 2005

    The Other Side: first batch

    There's a spoileriffic, blow-by-blow account of the play at the Hartford Courant, while USA Today opines thusly:

    Dorfman's post-absurdist script nods to original sin and will evoke various conflicts and catastrophes for viewers, not least of all the conflict in Iraq. But for all its disturbing aspects, Side, which runs through Jan. 15 at New York City Center, ultimately makes a case for the power of love and empathy, even in a troubled and disjointed world.

    However, it hasn't gone down very well with these NYT reader reviewers. Variety is a little more even-handed:

    Ariel Dorfman delivers his message right off the bat in this political allegory about two unnamed nations worn out by an endless war. But having made his point about the absurdity of war between neighbors who share a common heritage, the Chilean scribe leaves himself nowhere to take this static drama. Despite forceful performances from veteran thespians Rosemary Harris and John Cullum, this bleak tale feels out of its element in Blanka Zizka's overstaged production for MTC and more suited to the literary form of short story or novella.

    A-muse-ing

    [edit: just realised this article is a breach of our posting policy. Apologies]

    Tonys photos


    This Stephen Dillane site has some photos from the Tonys that aren't up on the fansite. The explanation for the above pic:

    SPOTTED: Stephen Dillane, who won best actor at the Tony awards, distributing buttons just before the ceremony began to fellow cast members of The Real Thing. On one side he had printed "I lost", on the other, "I won".

    Tuesday, December 13, 2005

    Monday, December 12, 2005

    Deadline extension

    We're moving the deadline for the thank-you project to December 22nd.

    Tonys speech

    Click on either the little "dialup" or "broadband" buttons on the NY1 page about the Tonys to see a short clip from The Real Thing, as well as a shot of Ms Ehle embracing her mum and thanking her parents in her speech. Her bit starts about 52 seconds in.

    [edit: apologies, intelligence malfunction. Copied the wrong link by mistake. The video from the awards ceremony is here]

    NY1 also has an article about the Tony nominations, but the videos don't work for me. You can try your luck.

    Christabel or Chucky?

    Village Voice's review of Possession isn't that positive, but J. Hoberman comes up with an unusual metaphor:
    Perhaps [Jeremy Northam]'s been hypnotized by the round-faced, green-cloaked poetess Jennifer Ehle, whose gracious smile and wide-eyed twinkle as Christabel LaMotte have the uncanny animation of a young girl's favorite doll come to life.

    That's meant to be a compliment. I think.

    Saturday, December 10, 2005

    Ariel Dorfman on radio

    Broadway World reports that Ariel Dorfman, writer of The Other Side, will be featured on WKCR's "Composed on the Tongue" program tomorrow (Sunday) from 9-9.30pm (89.9 FM). Perhaps there will be clips from the show? Cross your fingers.

    The Other Side official site


    Manhattan Theater Club's official site for The Other Side is open. There's a synopsis, a gallery with photos from the show, biographies of the cast members, and a page with info about tickets and the schedule (8pm Tue-Sat, 2pm Sat-Sun, 8pm Sun from Dec 18-Jan 1, 2pm from Dec 21-Jan 22).

    Playbill also has some pics from the opening night partay. There's one of Rosemary Harris with Jin-chaek Sohn, who directed the play in Japan and Korea.

    We're a bit confused about the opening date. It's either December 6th or 13th. Either way, the play is on now!

    The Other Side preview

    A funny, thought provoking piece (no pun intended), “The Other Side” is a brief 75 minute work being performed at the Manhattan Theatre Club until January 22. With an experienced cast and insightful writing, the show is a wonderful way to relax and enjoy your holiday.

    Says Washington Square News, NYU's paper. If you too are scratching your head...piece, peace. Yeah.

    Friday, December 09, 2005

    As promised...

    I've posted my thoughts on The River King at the forum. It's pretty long, so here's the relevant bit:

    Need I say anything about JE? Of course she stood out. Of course I wanted more screen time. That, at least, was expected. Seriously though, I totally bought her as the caring teacher who’s unfulfilled by her relationship with her jerk of a fiancé. Her best scene was when they converse on entirely different wavelengths over breakfast, I reckon. Have to add, she looked fabulous in this. I dig the short brown hair. And the natural accent goodness!

    However, as Chelsea noted, the affair between Abel and Betsy wasn’t quite right. Sort of gratuitous. I didn’t really understand why these characters were attracted to each other, let alone falling into bed with each other. I think it was because you don’t really get that much background about them – Abel is shown as relationship-shy in one scene, and then soon after, he’s meant to be making puppy eyes at Betsy. The kiddies’ triangle was more fleshed out and more essential to the story.

    Forum events

    We're doing a group-watch of Pride and Prejudice at the forum today. Want to join us? We're watching Episode 1 at 09:00 GMT (ie. 9am London time, 8pm here in Melbourne) and coming online at 10:00 GMT to discuss/squeal/sigh. We're going to be doing one episode a day til Wednesday. [edit: from Saturday onwards we're going to watch at 11:00 GMT and chat at 12:00].

    We're also messing around trying to write a "P&P-in-15-minutes" parody, à la Movies in 15 Minutes. One LiveJournaler has already done one for the new film. Come play!

    Pride and Prejudice script in full

    Just noticed that the Pride and Prejudice script I linked to in an earlier post isn't complete. Well, Script-O-Rama has the whole thing, albeit without character names. They also have a transcript of the 1940 Garson/Olivier version.

    By the way, 12/12 is approaching. It's soon, but there's time to throw something together. One nice submission we've had so far is a photo of scenery where the person lives and a little message, in a Word file. Nothing more complicated than that is needed.

    Wednesday, December 07, 2005

    The River King audio clip

    Listen. ~600kb, mp3 format, 56kbps. This is from the first scene Ms Ehle is in, along with the first encounter between Betsy and Abel. Scroll down to the bottom and choose the free download option.

    [edit: seems like Rapidshare is down. Try Putfile. Not really sure how it works]

    [edit #2: thank goodness someone knows what they're doing! Thanks to Jhana for mirroring the file. Try this link first]

    "Underground theater"

    First blog review of The Other Side by Ted Green, dating from the previews:

    It's an intense little show about war -- between countries and between parents and their children. Harris gives an amazing performance as a Mother who has been waiting for the return of her son for over twenty years.
    ...
    The audience today seemed like a real New York crowd. I'm guessing most of the audience were subscribers to the theater. I liked the show, but I heard a lot of discontented muttering on the way out. In fact, when the show was over several seemed unsure if the show was actually over or if it was simply an intermission.

    Monday, December 05, 2005

    The River King Swedish review

    Computer problems here, so my own review of The River King will come later. Meanwhile, here's a review from a Swedish blogger. Babelfish doesn't have Swedish so try InterTran.

    He he, vad har folk emot internatskolor egentligen? Jag vet ju vad jag har emot fenomenet, men i USA är dom väl rätt så inne på det där med individens frihet och sånt, eller? (Välj vad du vill! Om du har råd förstås...) Det finns ju hur många såna här filmer som helst. Kanske att det finns någon slags socialdemokratisk folksjäl (eller jantelag) även i Det Stora Landet Over There. Burns är iallafall bra som vanligt, storyn rätt så spännande även om det är lite standardvändningar över det hela. En OK rulle.


    I've found the first audience review of The Other Side, unfortunately it's unfavourable. In any case, see for yourself - the play opens December 6th.

    Saturday, December 03, 2005

    Globe and Mail Camomile Lawn review

    A touchstone for memories of youth
    This provocative five-hour drama chronicles the deliciously tangled lives of a group of friends and relatives who spend a summer together on the eve of the Second World War

    John Haslett Cuff
    14 June 1993
    The Globe and Mail
    All material copyright Thomson Canada Limited or its licensors. All rights reserved.

    There are many pleasures to be found in watching the sexy and beautifully executed British mini-series The Camomile Lawn, which begins on CBC-TV tonight and continues for the next four weeks. Among its more provocative aspects is a sometimes shocking moral complexity that touches on child sexual abuse and promiscuity. There are also assorted shots of full- frontal nudity and some occasionally explicit language.

    But both nudity and frankly adult language are used sparingly and with appropriately dramatic effect and, though titillating, they hardly account for the mini-series' overall appeal. Much more to the point, the series' unfailing intelligence and morally ambiguous revelations of character are relatively rare in the black-and-white simplicity of most North American television drama.

    Based on the novel by Mary Wesley and adapted for television by one of the finest screenwriters in the world, Ken Taylor (The Jewel in the Crown) , the disingenuously named five-hour drama chronicles the deliciously tangled lives of a group of young cousins, aunts, uncles and friends whose last summer together in Cornwall on the eve of the Second World War becomes the touchstone for their shared memories of youth and departed innocence.

    The specially planted herb lawn, notable for its strong scent and medicinal properties, is a striking symbol for those moments in their lives which they relive as they gather 40 years later for the funeral of Max Erstweiler. An "outsider," Max was an Austrian refugee violinist who, along with his indulgent wife Monica, brought music (literally and figuratively) into the otherwise rather typically stiff, bourgeois British lives of these characters. His romantic antics and the moral anarchy of war freed all of them to enjoy fuller lives than they might otherwise have done.

    Although the war forms both a backdrop and a vivid context for the behaviour of the various characters, this is by no means an obviously romantic or sentimental excursion into the past. There are no theatrical heroics and tragedies underlined or exploited for cheap effect. Instead there is a gay, cynical tone that is at once charming and distancing both for the viewers and the characters themselves.

    Sex is a practical rather than a moral issue; love and passion are there in abundance but without histrionics (or strings) because life and love are obviously all too precarious (almost too precarious to even speak of) in a country at war.

    Of course, war is hell - at least on the battlefield. But for these assorted characters it is also exciting in a way that life will never be again. The characters - particularly the women - take full advantage of it to explore their sexuality in ways that might not even be considered under normally repressive (for women) conditions.

    A large ensemble cast plays characters ranging in age from about 10 to 60 plus, and each one is powerfully affected and - in most cases - liberated by the events accompanying the outbreak of war. Felicity Kendal, Paul Eddington (Yes, Minister) and Claire Bloom will be familiar to many viewers but the younger members of the cast, who carry much of the action, will not. Jennifer Ehle is especially memorable as Calypso and Rebecca Hall is exceptional as the youngster Sophy who, more poignantly than anyone, represents the loss of innocence.

    The series was directed by Peter Hall and exquisitely photographed by Ernie Vincze. It is a co-production between Channel 4 and the Australian Broadcasting Corp.

    Friday, December 02, 2005

    Quick!

    You've got 10 days left to participate in our project for Ms Ehle's birthday. Make haste, make haste!

    Another (belated) reminder: The River King came out in Thailand on November 22nd.

    There's an additional not-worth-its-own-post item as well, photos from Possession signed by Gwyneth Paltrow, Jennifer Ehle, Jeremy Northam and Aaron Eckhart on eBay.

    Design for Living roundup

    Following our policy of being Fair and Balanced and not self-censoring, some of these reviews are rather critical. But olds is olds, right?

  • Dominic West interview
    He’s never before worked with Jennifer Ehle [E-lee]. “I’ve seen a lot she’s done; I’ve always admired her from afar.”

  • CurtainUp
    Ehle, last seen as another independent and contradictory woman in The Real Thing, seems ideally cast as the woman who declares "I shouldn't feel cozy married; it doesn't fit my principles" but who nevertheless ends up marrying Ernest, a successful and quite conventional art dealer (a character who, thanks to John Cunningham's excellent performance, is extremely likeable). But while Ehle delivers her lines with fine precision and looks smashing whether wearing a slip or one of several gorgeous silk kimonos, she's more moody than madcap, one reason that the evening's two and a half hours induce as many yawns as appreciative laughs.

  • Village Voice
    ...you can admire Jennifer Ehle's intensity and beauty, while trying to guess what role she thinks she's playing (Andromache? Cordelia? Amanda?) instead of Gilda.

  • New York Theatre Wire
    Jennifer Ehle as Gilda is just like the girl next door. She is too ordinary, even though obviously neurotic, to have such sway over these two men. She has not got the delivery, the tone, the sophistication, the mystery and the allure such a woman must have, if we are to believe the plot. She is badly costumed with awful gray clothes which emphasize her bust (too large for the stage) and underscores her colorless, almost lifeless performance. She throws away her lines most of the time, and often she is barely audible. Gilda should be more of a Garbo type, an inscrutable woman, an enigma, a compelling, but not obvious sexual creature capable of winning any man, and holding her own in a world of painters and writers. None of this is evident in Ms. Ehle's performance.

  • NY Metro
    Jennifer Ehle, despite an unflattering period hairdo, and Dominic West, perhaps a trifle too callow, struggle valiantly but keep foundering on Alan Cumming.

  • Wolf Entertainment guide
    Jennifer Ehle, who was so good as Annie in "The Real Thing" and on screen in the film "Sunshine," is disappointingly flat as Gilda. It is impossible to imagine her as the daring woman in the play.

  • Interview with directors Joe Mantello and Todd Haimes
    With this play in particular, the casting of the three main characters really dictates the tone of the production. It lives and dies by how sensational they are and what their chemistry is on stage. We were really lucky to have Alan Cumming on board right from the beginning. And then it was just a question of finding the right people to go with him. When you see Jennifer Ehle, Dominic West and Alan together, there is something sort of contemporary and fresh about the play because of who they are.

  • Portico
    I'm not sufficiently familiar with ‘Design for Living’ to know where the script stops and the interpretation begins, but I’m pretty sure that Gilda needn’t be played as gravely as Jennifer Ehle plays her. The seriousness of this performance has all the signs of a well thought-out miscalculation, an attempt to do something with the role that, while interesting so far as the role itself goes, can’t be made to fit with the rest of the play. When the curtain goes up, Gilda is seen sitting in a slip in front of a whirring fan, lost in thoughts that, even if they’re happy (we’ll find that she’s just made love) are far from light. As if oppressed by an existential burden, Ehle holds the pose for about twice as long as an actress untutored by director Joe Mantello would, pushing the audience into wondering if something’s the matter with her – Ehle, not Gilda – and perhaps even drumming its fingers with impatience, lest we be in for an evening of Tennessee Williams. Ehle has a rich low voice, which she puts at the service of interpretive complexity: her simplest ‘no’ suggests hours of knotty deliberation, but for all that it’s unlikely to be a final answer.

  • TimeOut's 2001 Tonys predictions.
    WHO'S MISSING [from the "Best Performance by a Leading Actress in a Play" category] Jennifer Ehle. She charmed us—even in a misguided Design for Living.

  • Plurp
    Contrapunctually, Jennifer Ehle as Gilda rushes her lines, and might benefit from ordering her cappuccinos decaf from now on.

  • Buy the poster

    PS. Thanks to Chelsea for holding the fort this past week!
  • Monday, November 28, 2005

    Summerfolk, and the living is easy

    Er, moving on. A couple of Summerfolk reviews, both (slightly) nasty and nice:

    The transition from laughter to tears in seconds by the beautiful Varya played to the T by Jennifer Ehle

    There are also some audience opinions at the National Theatre's talkback pages. Some rather lovely comments there:

    I must admit my main reason for seeing the play was the fact that Jennifer Ehle was in it. She is a consummate actress with a style very much her own, and It's always a pleasure to witness her performances, especially in the theatre, where her considerable talent can be displayed to the full. She gave a superb performance in The Real Thing where she was able to show her emotional range much more than in Summerfolk. Let's just hope that Trevor Nunn can persuade her to become a regular player at the National. Could we ever be that lucky? I certainly hope so.

    Saturday, November 26, 2005

    "Indelible"

    For a true Austenophile, however, the gold standard is the 1995 BBC miniseries featuring Colin Firth and Jennifer Ehle in the leading roles.

    Their chemistry together was positively combustible; Firth remains a superstar sex symbol to a certain fan base to this day (and will, I suspect, remain so even into his advanced years) thanks to his smoldering turn as Darcy. Ehle, too, created an indelible character; her Elizabeth is taut, focused and beautifully mannered when it comes to her own place in the world.

    From Dunro Munro's review of the new Pride and Prejudice movie in the Fresno Bee.

    There's a tiny little lead about Alpha Male at Box Office Prophets - it's said that the film will be given a limited release sometime in 2006.

    Regal Rosemary

    Here's a photo of Rosemary Harris from 1968.

    No news about The Other Side yet, though it's early days. But if you've seen it, we'd love to hear your impressions of it! E-mail to jenniferehle@gmail.com.

    Friday, November 25, 2005

    Charity auction of Philadelphia Story program

    Haven't had an eBay roundup lately. The most notable item is this Philadelphia Story program signed by the entire cast and hand-delivered by Ms Ehle to Broadway Cares, the AIDS charity that is holding the auction.

    Printed on expensive heavy paper stock, it's as elegant as the play's Philadelphia mainline setting and features scholarly articles on Barry, the tabloid press of the 1930s, and detailed accounts of all of the Old Vic's 2004-2005 Season. Jennifer Ehle took on the patrician Tracy Lord and received rave reviews for her brave and daring portrayal -- no small feat considering Katherine Hepburn's iconic rendering of this character in the play's original Broadway run and subsequent 1940 film adaptation...Ms. Ehle, a longtime friend and supporter of BC/EFA since her Tony-Award-winning turn in THE REAL THING, personally hand delivered this rare theatrical keepsake from "across-the-pond" specifically for auction here.

    Can't afford the USD $127+ pricetag but still want to contribute? You can donate by credit card through the Broadway Cares site, which explains the difference a single dollar can make. If you want more than positive karma, have a look at their other auctions too.

    Other eBay items include:
  • The Tempest CD audio recording.
  • Pride and Prejudice keyring with Colin Firth and Jennifer Ehle.
    Add it to your bunch of keys, attach it to your bag, or use it as body jewellery - whichever you choose, you'll be the envy of your mates!

  • Jane Austen's World, featuring photos from the Pride and Prejudice mini and other Austen adaptations as well.
  • Telegraph magazine with a 3-page interview, from April 2005.
  • Culture magazine with a 1.5-page interview, from Setember 2002.
  • Empire magazine with full-page photo and profile, from November 1997.
  • The Look

    By Jhana/Mary: The Look on loop. [edit: embedding removed because Mary says the file is 1.3mb]

    In other news, a wistful collective sigh is heard across the globe.

    Froggy style

    You'd think that Pride and Prejudice's popularity would be limited to Anglophone countries where Jane Austen's work is well known, but it appears that the series has made an impact worldwide. Here's a sample of the French take on it - a review from Le Monde in 2003, with high praise for Ms Ehle:

    Le jeu raffiné de Jennifer Ehle est à la hauteur de celui d'Emma Thompson, dans Raison et sentiments. Avec plus de retenue que la seconde, la première manifeste une grâce et un charme qui n'ont d'égal que son talent, déjà éprouvé dans d'autres productions de la télévision britannique. A l'image de celle d'Emma Thompson, la beauté de Jennifer Ehle ne correspond guère aux canons hollywoodiens, mais elle s'impose. L'éclat modulé de ses yeux sombres reflète toutes les nuances de l'âme de son personnage.

    Standard caveat - rough translation only:

    The refined acting of Jennifer Ehle is of the same calibre as Emma Thompson's in Sense and Sensibility. With more restraint than the latter, the former shows a grace and charm that have no equal but her talent, as already proven in other British TV productions. Like Emma Thompson's, Jennifer Ehle's beauty hardly corresponds with the Hollywood ideal, but she makes an impression. The controlled flash of her dark eyes reflects all the nuances of her character's soul. [more]

    Speaking of Pride and Prejudice, I've heard of people using the series as a cure for exam blues and as a sort of comfort food when ill, but never this...

    It’s not an easy life, at all, admitting to being a “Janeite,” as Rudyard Kipling would say. As one of them, I am herded together with an illusive cabal of old ladies whose books rest near scented candles on nightstands, rather than the other fans I actually know, who spend five hours on Sunday watching the BBC version of the P&P miniseries because it’s their hangover cure.

    From Detroit's Metro Times.

    Tuesday, November 22, 2005

    "Brightest star"


    Photo from Dispatch Online's preview of Melissa. There's also a tiny photo at iafrica.com.

    If you're hungry for some text though, check out this episode guide from Action TV. Note that there are spoilers galore. The main body outlines each episode with some critics' reviews (be warned, the Times one is very negative), while the sidebar on the right recaps the impact of the series:

    An undeniable success which, whilst drawing its detractors, was also greatly appreciated by contemporary audiences, Melissa was the longest version of the tale, the most luxuriant and the best testament to the powers of Durbridge as a thriller writer (viewed as a celebration of the man, his work, and the thriller genre as a whole).

    And on Ms Ehle in the title role written particularly for her:

    Jennifer Ehle's performance as Melissa Foster (nee Mackenzie) was the brightest star in the series, as she reinstated the mystery and allure that Durbridge had always implied in his two previous variations on the theme.

    There's a comprehensive bunch of reviews at the fansite.

    The Interview in HTML

    Due to Google's function whereby PDFs are translated into HTML text, you can now read the interview without downloading the files. There's some strange formatting problem though; for some reason "Th" is transformed into a blank space. The originals are easier to read, but this is handy for anyone who doesn't have Adobe Reader or similar. Note that the Creative Commons licence still holds.

  • Part I
  • Part II
  • Parts III-V
  • Parts VI-VII
  • Monday, November 21, 2005

    "Ironic intelligence and self-assurance"

    Semester is over; education begins. A. Sue Parill's article "Pride and Prejudice on A & E: Visions and revisions" in the Literature / Film Quarterly (Volume 27, Issue 2, January 1999) analyses how the mini-series translates the book's theme of "clarity of vision" into the visual medium.

    The viewer's insight into character and character relationships also owes much to the physical appearance of the actors. to their interpretations of their roles, and to the staging of particular scenes. Jennifer Ehle is pretty without being a conventional beauty. Jane Austen's heroines are never described as beautiful; they are, however, usually presented as superior to more beautiful female characters. They win their men through their intelligence, probity of character, and persistence. Ehle in the role of Elizabeth Bennet communicates well both the independence and the vulnerability of the novel's main character. Ehle's Elizabeth radiates ironic intelligence and self-assurance. When Elizabeth purses her lips in disapproval at the behavior of Lydia (Julia Sawalha) or attempts to check her mother's rash speech, the viewer can believe that she has principles. Both at Rosings and at Longbourn, she refuses to allow Lady Catherine de Bourg (Barbara Leigh-Hunt) to intimidate her. The contrast between Ehle's manner and appearance and those of Suzannah Harker, in the role of sister Jane, helps to emphasize the opposite qualities of the two sisters. Harker conveys Jane's tranquility and passivity well. Jane almost always appears calm, is reticent to show her feelings, and can be depended upon to think the best of everyone. Elizabeth is more likely to say what she thinks and to make hasty judgements about people. Yet when Elizabeth is brought to doubt her judgements of Darcy and Wickham, she is chastened and subdued by her new knowledge-of herself and of others. She sees with regret that she may be responsible for losing her best chance for happiness with a man she can truly love and respect. [from page 2]

    Saturday, November 19, 2005

    Bedrooms and Hallways review


    SPLICEDwire reviews Bedroom and Hallways.

    And the great cast doesn't hurt. McKidd is ideal as the slightly insecure, sexually confused everyman and Purefoy brings some depth to his hunky plot catalyst, but it's the scene-stealing supporting cast that you'll remember most from this movie -- especially the luminous and magnetic Jennifer Ehle ("Wilde," "Pride and Prejudice"), as the girl who comes between Leo and his beau (or did Leo come between them?) and Simon Callow ("Four Weddings and a Funeral") as the oh-so-sincere leader of the men's group, a great goof on the kind of lost idiots that wrap themselves in a blanket of New Age b.s.

    Linkage

    Reciprolinks for a couple of other sites that have linked us:
  • MrsDarcy.com
  • A tribute site to Jennifer Ehle
  • Friday, November 18, 2005

    The River King screencaps

    There's no need for commentary. Just click away!

  • Taking photo
  • Darkroom
  • Hanging stuff
  • More darkroom
  • Kiss
  • Looking concerned
  • What's that?
  • Shuteye
  • Holding camera
  • Umbrella
  • In doorway
  • Looking sideways
  • With Ed Burns at party
  • Ed Burns
  • Woman in black
  • Looking at Ed Burns
  • Get a room
  • A car will do
  • The claw

    Sort of unrelated but funny: Pride and Prejudice goes txt (ta Mary):
    5Sistrs WntngHsbnds. NwMeninTwn-Bingly&Darcy. Fit&Loadd.BigSis Jane Fals 4B,2ndSisLiz H8s D Coz Hes Proud. Slimy Soljr Wikam Sys DHs Shady Past.Trns Out Hes Actuly ARlyNysGuy &RlyFancysLiz. She Decyds She Lyks Him.Evry1 Gts Maryd.
  • Wednesday, November 16, 2005

    Birthday project

    [update: the deadline has been moved forwards to December 22nd, not 12th as said earlier]

    We’re going forwards with Operation Enduring Gratitude.

    So, Jennifer Ehle’s birthday is on December 29th. We’re planning a project to wish her happy birthday and thank her for her superhuman generosity in doing the fan interview for all of us fans. And because she’s a fabulous actress and all-round cool cat too. She gave us hours of her time; we thought it'd be nice to show her our gratitude by a collective effort.

    The project is an electronic collage consisting of messages from fans around the world. Basically, you e-mail in a graphic file to us, we assemble all the submissions into a collage, then send the file to Ms Ehle.


    1. Why should I participate? this is your chance to personally express your appreciation of Ms Ehle's work to her.
    2. When is the deadline? December 12th. 12/12. Easy to remember. The deadline is now December 22nd.
    3. How do I submit my message? Send the file as an attachment in an e-mail to jenniferehle@gmail.com.
    4. What sort of messages can I send? The choice is yours. Any sort of thank-you, birthday/holiday wishes, or "you rock" sort of message is ok, as long as it contains some graphic elements. A collage is visual, after all. Here's one I prepared earlier. Some other ideas:

      • Handwritten message, scanned in.
      • Sketch or some other graphic, scanned in or done on the computer.
      • Digital photo of yourself, some artwork, the scene outside your window, your dog, your shrine to her (or maybe not), whatever.

    5. What format do you prefer? .jpg is best, but if you don’t know how to convert to that format, just send us what you’ve got and we’ll try to work it out. So far we've accepted an e-card, Powerpoint file, Word files, PDFs. File sizes below 1mb are also preferred, have pity on our poor dialup.
    6. Will my message be published publicly? Yes, we'll publish the collage so everyone can see the final result. Therefore, take this into account if you include your contact details or full name on your message.

    The success of this project depends on just a little effort from a lot of people. We Need You!

    But if you'd rather go solo, have a look at the FAQ for contact details (her agents', that is).

    More Tonys action

    There's a link off the site Chelsea posted below with reactions of the Tony winners. Silly question of the year goes to...

    Chat Moderator: How does it feel to compete against your mother for an award and are there any hard feelings?

    Jennifer Ehle: As far as I'm aware, there are no hard feelings whatsoever. I would be utterly stunned if there ever were to be.

    It never felt like a competition. It would be impossible for five actresses in five different plays by different playwrights in different theatres to compete.

    This is a great honor and I saw nothing but happiness and warmth coming from my parents when I accepted the award.

    3/4

    Tandem online magazine reviews The River King, giving it three stars of four. Not favourable to the film overall, but they say the "atmospherics are wonderful, and the performances interesting".

    Monday, November 14, 2005

    Reader question

    Negar sent in this question, can anyone help?

    i want to buy pride and prejudice's DVD and i thought i would be able to get help from you to find the best edition out in the U.S. I've read those comments on amazon.com about P&P DVDs and all of them were saying the VHS is better,but as long as i want to get the DVD, i thought maybe you know which edition is better.

    Summerfolk review and photo

    A bunch of reviews from a Roger Allam site.
    Jennifer Ehle...is as near to a protagonist as the play offers... Like everyone else in this stunning revival, she wins your belief.

    Photos from the National Theatre.

    Commentary will return post-exam.

    Saturday, November 12, 2005

    "Poderia ter sido um bom mistério policial..."

    Brazilian blog Por um punhado de pixels has this mini-review of The River King:

    Assisti em dvd Mistério em River King (The River King, Canadá-GB, 2005), do Nick Willing (que é filho da pintora portuguesa Paula Rego). Poderia ter sido um bom mistério policial se não enveredasse sutilmente pelo sobrenatural ou pelo realismo mágico (nunca chega a ficar claro do que se trata). Várias perguntas ficam sem resposta (por exemplo, os peixinhos na piscina ou o defeito nas fotos), nenhuma delas realmente importante para a trama, o que acaba funcionando somente como incômodo narrativo. Alice Hoffman, autora do livro no qual o filme se inspirou, escreveu também Practical Magic, que foi para as telas protagonizado pela Sandra Bullock e pela Nicole Kidman).


    Babelise it here.

    USA three days ago

    USA Today rounds up a few Austen adapatations new to DVD.

    Talk about ad-copy blurbs you won't see anywhere else: I once quit watching a Yankees-Indians game to sail happily through this five-hour, 10-minute BBC miniseries. Jennifer Ehle plays coolly intelligent but emotionally percolating Elizabeth Bennet, and she doesn't make a faulty move. Colin Firth, hamstrung at first by his character's rigidity, matches Ehle as the socially loftier Darcy — realizing before she does that they're soul mates.

    Friday, November 11, 2005

    One and only

    In the context of an odious comparison of the many Pride and Prejudice adapatations...but too good not to post!

    Knightley is charming in the new version from director Joe Wright and screenwriter Deborah Moggach (with a rumored assist from Sense and Sensibility's Emma Thompson), but her appeal is Keira's and not Lizzie's.

    And that's why Jennifer Ehle, an unknown when she was cast in the 1995 BBC/A&E miniseries, remains the definitive Elizabeth of our time, and perhaps all time. It's because screenwriter Andrew Davies, working from Austen's incomparable template, wrote her that way, along with a Mr. Darcy whose emotions were manifest throughout instead of remaining a mystery until the final denouement. (And that, I contend, is also why Bridget and her contemporaries, both fictional and real-life, swooned over Colin Firth -- not because he's the hunkiest Brit to ever cast a smoldering gaze, but because this was a script that let us girls really see Mr. Darcy yearn and burn.)

    The Real Thing review


    A Curtain Up review of The Real Thing at the Ethel Barrymore theatre. The photo is by Ivan Kyncl and the review by Elyse Sommer.

    Jennifer Ehle is a wonderfully sexy Annie, especially in the scene when, still married to Max (Nigel Lindsay) she playfully entices Henry with kisses and declares "I'm in the mood to push it" we know that she and Henry who loves "the insularity of passion" are not destined to live happily ever after.

    This scene can be watched at this Stephen Dillane fansite - see "THE REAL THING - TOUCH ME 2".

    NB. Elizabeth Bennet = fictional

    Pride and Prejudice is going to be shown on the Biography Channel (!) from November 14th to November 25th. Each double episode is going to be screened four times over that period.

    Wednesday, November 09, 2005

    More Possession

    A bit unoriginal with the headings lately, eh. Anyway, ratings, reviews, photos and production notes are available at this Possession site. The latter are taken from the official movie site but are in plain text, a good thing if you're a fellow Flash-phobe. Here's a bit from the casting notes:

    Ehle muses, "Christabel is an image that helps the modern couple fall in love. Her story is quite tragic, but she did love and I think that’s what Possession says —it’s worth risking all for the sake of love. She’s very unconventional and has her own rules, she tries to live her life the way that she wants to."

    LaBute adds, "There is a force to Christabel, a singlemindedness about the way she approaches life, that I thought Jennifer was perfect to portray. There’s a strength about Jennifer as a person that’s undeniable, which is showcased beautifully in her portrayal of Christabel. Quite honestly, I strongly feel that she is one of our greatest stage and screen actresses."

    He's a playwright, no? Oh Neeeiilll...

    Forgot to include this in the post below - there's another Jeremy Northam interview. No mention of Ms Ehle, though it's pretty funny:

    B.L. Did you have to prepare in any way to play the Victorian poet Randolph Henry Ash?

    J.N. I had to spend a lot of time in make-up chairs rather more than I would have liked. Then there were three different makeups to do and no one could decide anything. Plus also, they offered the part to someone before, which rather threw me. They offered it to Sean Connery first. Sean and I are often up for the same roles, you know.

    Jeremy Northam interview

    A rare 2002 interview with Jeremy Northam about Possession, from Star Interviews, copyright Prairie Miller via Cineman Syndicate.

    Your Possession leading lady Jennifer Ehle said that she was with you right after 9/11, and she said she had nothing to do around that time. She was with her fiancé.

    JN: That's right.

    *Anyway, Jennifer said that whenever you have nothing to do and you're in England, you have dinner with Jeremy.

    JN: Is that so! I'm not sure quite how to take that. No, she came up to my home for a couple of days because she'd gone back to London to sell her apartment there, and had a fire. So she was without a home. So I said, well come and visit my place up in the countryside. So they came and stayed for a couple of weeks. Which was really nice. I wasn't there all the time. They just squirreled themselves away! But I don't know how to take that. I mean, the part about when you don't know what to do in England, have dinner with Jeremy. But I like to cook. So...

    *Would you say you then, that you're sort of a last resort for people who can't find anything else to do.

    JN: ....Must be!

    ...

    *What was it like getting romantic with Jennifer Ehle in Possession?

    JN: What do you want to know?

    *Oh, anything you care to tell!

    JN: Jennifer was a lot of fun, it was nice. It was, you know, kind of like a no nonsense approach to the work. Because it's always potentially a bit fraught when you're trying to portray passion.

    *How come?

    JN: Because you know everyone is watching it like hawks, whispering things like, have they got chemistry, and all of that stuff. But I think we supported each other well in that process, and had a lot of laughs doing it. Because another thing, I think you can't take it all too seriously whilst you're doing it. Otherwise it can be a very long day. So we had lots of laughs too.

    *Jennifer said that when she looks at the screen, all she can think about is "my awful jaw". When you look at the screen, do you see the attractive heartthrob romantic lead that we see, or do you put yourself down?

    JN: Uh, do I see an attractive heartthrob when I look at myself on the screen? No! [more]

    Scroll to the end to read the bit about where he's told "You were very good in 'Bridget Jones's Diary'!".

    Thanks to Jenny from the Possession group-read for this article.

    Monday, November 07, 2005

    Sharing the love

    Some reciprolinks for the kind people who helped spread the word about the interview.

  • Colin Firth 24/7 who have generously allowed us to piggyback on their bandwidth by hosting the PDF files
  • AustenBlog. Some funny comments there; they're aghast that Ms Ehle hasn't read Northanger Abbey yet
  • GreenCine Daily, an indie film blog
  • Driving Mr Spacey
  • Daddypundit of BlogCritics
  • weblog.hd
  • More Paradise Road pics

    Click to enlarge (accidentally squished it more than usual, but it's worth a click through, promise).


    From Sights and Sounds, a Julianna Margulies and George Clooney fansite which has other photos from the Paradise Road press kit. There are also a couple of photos of Ms Ehle at the bottom of this German site. Lastly, a shot from the scene where she, Glenn Close and Cate Blanchett are standing by the roadside at the beginning of the film.

    Saturday, November 05, 2005

    5 stars

    An enthusiastic Summerfolk review - in Japanese! As always, you can try your luck with BabelFish and, as always, it's pretty hilarious. From what I can gather, they're saying that Ms Ehle should've won the Olivier Award for which she was nominated.

    俳優は素晴らしい。一人一人の生活が見える。オーバーテクストだけではなく、緻密にサブテクストを開拓している。だから、台詞を喋っていないときの俳優の演技は非常に見応えがあった。しかも、俳優個人個人のみならず、アンサンブルとして成功している。これが、トレヴァー・ナンの凄いところだ。付け加えていえば、主演女優のJennifer Ehleは、オリヴィエ賞にノミネートされたが残念ながら"Comic Potential" の Jannie Dee に持って行かれた。ぼくは、どちらかが獲るだろうと思っていた。それほど二人の演技は印象的だっ

    Roll up


    Before I forget - The Other Side previews are starting in less than a week, November 10th. You can get tickets from the New York City Center, where the play will be running. BroadwayBox is offering a discount if you order tickets before December 11th.

    The Other Side is an Ariel Dorfman play produced by the Manhattan Theater Club, starring Rosemary Harris, John Cullum and Gene Farber.

    We'll be blogging news and reviews about this play since a) we're practically the defacto Rosemary Harris blog anyway, b) Jennifer Ehle news is bound to be slow over the next few months as she does the domestic bliss thing, and c) Rosemary Harris rocks in her own right.