A few little things to start the week with

PREMIERE MULTI...MULTIMEDIA

Most importantly today, Wireimage have three videos from Wednesday's Pride and Glory premiere in New York, with a gem more than compensating for two barely existent others. In it, a radiant Ms Ehle reveals that the already much-mentioned B. A. B. Y is due in March 09. We wish the family again all our love and best wishes.

Further red carpet pictures can be found at Monsters and Critics (numbers 8 and 14 being the best) while Ms Ehle can (just) be glimpsed in the background of Access Hollywood's feature with male cast members (also on YouTube).

A number of other videos fail to feature Ms Ehle but nonetheless provide some nice insights into the film and its actors. Take your pick from AMC TV's testosterone-filled Shootout (with Misters Emmerich, Norton and O'Connor and two male interviewers), AP's chats with Mr Farrell and Mr Norton, and lastly Jon Voight's appearance on CW11 Morning News, viewable via the site's weblog. Slightly less serious conversations with Chris Holley and Lake Bell, were filmed by UGO.

THE WRITTEN WORD

First in the collection of penned reviews and interviewage, Michael Sragow of the Baltimore Sun quotes his conversations with Edward Norton about the films links with Iraq:

[...] We started saying to each other that the institutional lying at the center of Pride and Glory mirrored the crucible the country was going through. What's so fascinating to me about Abu Ghraib or Guantanamo or any flash point is that somewhere around it there is a person who surely has deep feelings of loyalty to his fellow soldiers, his unit, his army, his country. Yet he reaches a moment where he says, 'I'm going to distribute a disc with the pictures because they show a corruption of the things we're supposed to be standing for.' For an actor, that's an incredibly interesting tension. [...]

(Sragow also deals with Norton's attitude to films that he is a part of - a subject put most centrally under the spotlight by Stephen Whitty at the Star-Ledger in his lengthy interview with the actor).

We return to evaluation of the film itself with Prairie Miller at Newsblaze, who after describing it as 'a kind of Godfather in blue', finds novelty within the project's oft-tackled genre:

[...] This type of sinister police noir is nothing new, but the story is elevated by the...gritty intensity of the male ensemble chemistry. [...]

She goes on to evaluate that:

[...] though the narrative rife with brutality and cynicism leads down a path that comes together way too over the top to make sense of it all, the journey there stings with the crushing weight of a raw and devastating emotional power. [...]

Elsewhere, despite identifying a problematic ending, the author of Back-Seat Critic thinks the film is 'expertly shot and paced', believing the O'Connors should be 'proud' of their creation. On a similar note, Radar, who consider the writing and direction 'flawless', dismiss any negative appraisals by stating simply, 'it's complicated but great—you should just see it'.

IL PREZZO DELL'ONORE

Next, a reminder (as if you need it) that Pride and Glory arrives in US cinemas in four days' time. The release comes in the middle of the Rome Film Festival, but as Variety and The Hollywood Reporter explain, the run-up to that has not been as smooth as one may have liked. It will be going ahead however, and Pride and Glory's newly created little page informs us that screenings of the film at the event will take place on three consecutive days, from October 28-30.

THAT OTHER FILM

Ensuring we don't forget Before the Rains amid this week's Glory focus, South Africa's Pretoria News sum the film up as 'melodramatic, but beautifully filmed', while contented reviewers mean the movie continues to maintain a score of 4.5/5 over at Amazon.

THE MONDAY BEFORE THANKSGIVING

Finally, excellent news on the Rosemary Harris front, in that Courteney Cox's 19 minute short, The Monday Before Thanksgiving, is now completely viewable online (as is a nice little poster). The film is part of Glamour magazine's Reel Moments, a project explained in more detail by the Associated Press/WBZtv:

[...] Reel Moments, now in its fourth year, invites actresses and other women in entertainment to adapt and direct films based on real women's stories. ... Cox showed "The Monday Before Thanksgiving". [She] opened the program by announcing, "I'm available for directing.""I love it," she said in an interview. "I would do it again in a heartbeat." [...]

Cinematical reminds us again of the story and Ms Harris' co-stars:

[..] Courteney Cox's short casts her alongside Laura Dern and Rosemary Harris in the story of a woman who loses her mother right before Thanksgiving. But rather than focus on grief and loss, the short focuses on the the insistence to be coupled and being happy single. [...]

The film premiered with its Reel counterparts on October 14 in Los Angeles. Ms Harris' performance as inspiring-and-accomplished-lady-on-bus, Ms Cotlo, starts 12 minutes in (although the entire film is worthy of your fine eyes). Enjoy!